post-production: Method Studios / Framestore
year: 2023
my part: compositing

post-production: Rodeo FX
year: 2020
my part: adding fire, cleanup, retouche

post-production: Method Studios / Framestore
year: 2023
my part: compositing

post-production: Framestore
year: 2022
vfx supervisor: Ivan Sorgente
my part: set extension, CG integration

post-production: Method Studios / Framestore
year: 2022
vfx supervisor: Glenn Melenhorst, Matt Omond
my part: CG integration, set extensions

post-production: benuts
year: 2021
my part: working out the space sequence, set extensions for sea shots.

post-production: benuts
year: 2022
vfx supervisor: Ronald Grauer
my part: adding bullet hits

post-production: benuts
year: 2022
my part: compositing

post-production: benuts
year: 2021
my part: adding fire, make hands burn

post-production: benuts
year: 2021
my part: set extension, CG integration

post-production: Mackevision
year: 2021
vfx supervisor: Juri Stanossek
my part: gore, breaking vampire bones

post-production: Mackevision
year: 2021
my part: retouche

post-production: Mackevision
year: 2021
vfx supervisor: Juri Stanossek
my parts: CG integration, set extension

post-production: benuts
year: 2022
vfx supervisor: Ronald Grauer
my parts: compositing

post-production: benuts
year: 2021
vfx supervisor: Tristan Lilien
my parts: face replacement

post-production: benuts
year: 2022
my part: compositing

year: 2021
my part: full CG compositing, cleanup

year: 2021
my parts: CG set extensions, cleanup

client: Mobile Akademie Berlin
type: art installation
year: 2020 / postponed to March 2022
my part: cleanup, retouche and set replacement

year: 2020
my part: logo integration

year: 2020
my parts: cleanup and retouche

year: 2020
my part: CG integration

post-production: Parasol Island
year: 2020
my part: logo integration

director: Stefan Ruzowitzky
post-production: Benuts
year: 2020 / release 2021
vfx supervisor: Ronald Grauer
my part: matte painting animation, integration, set extensions, retouche, rotos

client: BMW
post-production: Parasol Island
year: 2020
my part: retouche, retimes, stabilisation, combination of takes, adding fire, sparkle particle system, cracks

director: Duog Liman
post-production: Rodeo FX
year: 2019 / released 2021
my part: vfx integration

post-production: Rodeo FX
year: 2019
vfx supervisor: Rex Alerta
my part: CG integration

post-production: Mackevision
year: 2019
vfx supervisor: Stephan Schaefholz
my part: CG compositing, keys, rotos, set extensions

post-production: Mackevision
year: 2019
vfx supervisor: Andreas Frickinger
my part: CG integration

post-production: Mackevision
year: 2019
vfx supervisor: Juri Stanossek
my part: set extensions, magical effects, CG integration

post-production: Mackevision
year: 2019
vfx supervisor: Emanuel Fuchs
my part: gore, rotos, CG integration

post-production: Rise FX
year: 2019
vfx supervisor: Jonathan Weber
my part: CG replacements, set extensions, retouche, matte painting integration

post-production: Rise FX
year: 2018
vfx supervisor: Markus Degen
my part: set extension, fire, head projection, CG integration

client: Deutsche Automatenwirtschaft e.V.
post-production: Optix Post Production
year: 2018
my part: retouche

post-production: Mr. X
year: 2018
vfx supervisor: Olaf Wendt
my part: sequence lead compositor, CG visor integration, CG space station

director: David Prior
post-production: Mr. X
year: 2018 / released 2020
vfx supervisor: Dennis Berardi
my part: set and weapon extensions, cg character replacement, gore

post-production: Mr. X
year: 2018
my part: keying

post-production: Mr. X
year: 2018
vfx supervisor: Eric Robinson
my part: muzzle flashes, blood and gore

post-production: Mr. X
year: 2017
vfx supervisor: Eric Robinson
my part: CG integration, set extensions, particle systems, lookdev

director
post-production: Mr. X
year: 2017
my part: digital compositing

post-production: Mr. X
year: 2017
my part: digital compositing

director
post-production: Mr. X
year: 2017
my part: digital compositing

post-production: Mr. X
year: 2017
vfx supervisor: James Cooper
my part: digital compositing

post-production: Mr. X
year: 2017
my part: digital compositing

post-production: Mr. X
year: 2017
my part: compositing of the vfx of a cinema

post-production: Mr. X
year: 2017
my part: retouche

post-production: Mr. X
year: 2017
vfx supervisor: Chris MacLean
my part: atmo, fires, CG integration

post-production: Mr. X
year: 2017
my part: full CG compositing

director: Tim Burton
post-production: Double Negative
year: 2016
vfx supervisor: Andy Lockley
my part: compositing

director:
post-production: Trixter Film
year: 2016
vfx supervisor: Alessandro Cioffi
my part: compositing

post-production: Double Negative
year: 2016
vfx supervisor: Graham Page
my part: compositing, look-dev

director: tba
post-production: screen scene vfx
year: 2016
vfx supervisor: Ed Bruce
my part: lead compositor

director: Justin Lin
post-production: Double Negative
year: 2016
vfx supervisor: Peter Chiang
my part: compositing

director: tba
post-production: screen scene
year: 2015
vfx supervisor: Ed Bruce
my part: compositing

director: benjamin ross
post-production: screen scene
year: 2015
vfx supervisor: Ed Bruce
my part: lead compositor

director: robert schwendtke
post-production: double negative
year: 2015
vfx supervisor: Ged Wright
my part: compositing

director: john moore
post-production: screen scene
year: 2015
vfx supervisor: Ed Bruce
my part: compositing

director: alan taylor
post-production: double negative
year: 2015
vfx supervisor: Pete Bebb
my part: senior compositor

director: ron howard
post-production: double negative london
year: 2014
vfx supervisor: Sean Stranks
my part: set extensions, keying, CG integration

director: fatih akin
post-production: mackevision stuttgart
year: 2014
vfx supervisor: Juri Stannosek
my parts: senior compositor

director: josh broecker
post-production: trixter film
year: 2014
vfx supervisor: Jan Stoltz
my part: lead compositor

director: roland emmerich
post-production: scanline vfx munich
year: 2013
my part: compositing

client: epson
post-production: mackevision
year: 2013
my part: stereo supervision / compositor

director: shane black
post-production: trixter film
year: 2013
vfx supervisor: Alessandro Cioffi
my parts: compositing

director: noam murro
post-production: scanline vfx munich
year: 2013
my part: compositing

director: anthony russo
post-production: trixter film munich
year: 2013
vfx supervisor: Alessandro Cioffi
my part: compositing

client: mercedes benz
post-production: mackevision
year: 2013
my part: compositing

director: tom tykwer
post-production: trixter film
year: 2012
vfx supervisor: Alessandro Cioffi
my part: compositing

director: andrew stanton
post-production: cinesite
year: 2012
stereo conversion supervisor: Joe Pavlo
my part: stereo conversion artist

client: cbbc, zdf/zdfe
post-production: trixter film
year: 2012
vfx supervisor: Jan Stoltz
my part: compositing

client: pro7
agency: tba
post-production: trixter film
year: 2012
my part: compositing

director: j.j. abrams
post-production: pixomondo
year: 2012
vfx supervisor: Sven Martin
my part: compositing

director: martin scorsese
post-production: pixomondo
year: 2011
vfx supervisor: Sven Martin
my part: stereo compositing

director: ian fitzgibbon
post-production: trixter film
year: 2011
vfx supervisor: Alessandro Cioffi
my part: compositing

client: BWT
post-production: Pixomondo
year: 2011
my part: compositing

director: martin campbell
post-production: trixter film
year: 2011
stereo conversion supervisor: Jan Stoltz / Dietrich Hasse
my parts: lead stereoscopic conversion

director: scott charles stewart
post-production: trixter film
year: 2011
stereo conversion supervisor: Jan Stoltz / Dietrich Hasse
my part: lead stereoscopic conversion

client: mercedes benz
post-production: pixomondo
year: 2011
my part: compositing

director: joe johnston
post-production: trixter film
year: 2011
stereo conversion supervisor: Jan Stoltz / Dietrich Hasse
my part: lead stereoscopic compositor